#MyrtleMondays: Talking to Victorian Britain about Racial Violence in America

Americans are talking about lynching, while overseas, people are protesting in solidarity for what’s happening in the United States. We’re seeing this today, in 2020—but this was also the case in the late 19th century, when anti-lynching activist Ida Wells went on her lecture tour of England and Ireland.

Announcement of a 1892 lecture given in conjunction with the New York Age

No part of the globe has been untouched by the slave trade; its ongoing social and economic impact are immeasurable. But as nations around the world abolished slavery (a slow process taking hundreds of years of legislation in fits and starts), the ugliness of persistent racism was all too easily swept under the rug. Sometimes countries that no longer openly participated in the slave trade would vaunt their “more enlightened” status, conveniently forgetting their own complicity. England had abolished most slavery throughout the empire in 1833 (following the 1807 prohibition of the slave trade), and it was easy for people to ignore something that seemed to only be happening elsewhere.

Racism is a many-headed beast, however. Ending legal slavery might have killed one head, but others sprang up in its place. The 1890s saw a rash of racial violence in the United States, decades after African Americans had won their freedom in the Civil War.

But some Europeans noticed, and cared, and spoke out. And sometimes they were helped by Americans who came to their distant shores to speak the truth of the violence poisoning America.

Ida Wells’s newspapers and pamphlets shone a glaring light on American racial violence. Southern Horrors in 1892 was followed by 1895’s even more explosive A Red Record.

One of these speakers was journalist and activist Ida B. Wells, who came to Great Britain on two speaking tours in 1893 and 1894. Organized by British social reformers Caroline Impey and Isabella Mayo, her lectures electrified audiences around the UK, and helped inspire organizations like The London Anti-Lynching Committee.

Early 20th century British anti-lynching protesters | Library of Congress

Wells had always stood up for the rights of Black Americans, and was the founder of a popular Black newspaper, The Memphis Free Speech. The 1892 lynching murder of her friend Thomas Moss galvanized her against this growing threat. After writing and publishing scathing articles about lynching, she was driven from Memphis, and her newspaper office was destroyed in retaliation. She settled in New York City and began her career as a speaker.

In an interview with Wells, The Ladies Pictorial of May 1893 predicted British reaction to Wells’s reports about the issues facing Black Americans:

“The statements she made in a recent interview will probably startle some of our readers, who think that the prejudice against coloured people has quite passed away…[but] as the Negro advances in education and the qualities of good citizenship, the disinclination to allow him civil rights becomes deeper. Miss Wells… maintains that British opinion and support will have great force.”

As Wells and her supporters had hoped, gaining British support for her cause brought the issue even more attention in America. In 1894, a group of African Americans in St. Paul, Minnesota, published an address in support of Wells’s campaign, stating in part:

“…the result which have followed Miss Wells’s English crusade, completely vindicate the wisdom of the course she has pursued in appealing to sentiment abroad. Americans become easily indignant when Russia oppresses her subjects, or Great Britain fails to attain to American ideals in her Irish affairs. They are enamored of liberty everywhere except for American citizens upon American soil.”

A new biography of Wells for young readers | Diane Bailey, Jeter Books 2019

Britain has its own complex legacy of race relations from its centuries of colonialism. As we are all learning how we can lift up the voices of those crying out for justice, here are some further resources on the subject:

The British Library Black Britain & Asian Britain: Historical and Contemporary resources on the experience of people of African, Asian and Caribbean heritage in Britain

The University of Chicago Ida B. Wells Papers: An archive of materials related to Wells’s life and work, including her speaking tours in Britain

Discovering History’s Heroes: Ida B. Wells by Diane Bailey, Jeter Books: an inspiring biography for young readers

Black Victorians, Black Victoriana, edited by Gretchen Gerzina: A collection of scholarly articles, including one focusing on Wells’s English lecture tours

“Ida B. Wells and ‘American Atrocities’ in Britain:” article by Teresa Zackodnic, Women’s Studies International Forum: A frank look at how the topic of lynching resonated with white Victorian audiences in England

Let us be inspired by Wells and everyone like her speaking out today, and ensure that we’re not still talking about lynching in another 125 years. It’s far past time that such violence is consigned to a historical horror, not a present-day atrocity. The Emmett Till Anti-Lynching Act is currently before the Senate, and would make such racially motivated violence a federal crime.

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#MyrtleMondays: Demonstrating Against Injustice in the Victorian Age

I generally keep things light over here, but as an author of murder mysteries for kids, I try never to forget that the reality of murder is always an ugly, dirty, painful business. And while we want our police to be the heroes in the pursuit of justice, that’s not always the case.

Protests against injustice are a time-honored method of encouraging social change—large and small. Indeed, they form the foundation of some of our most significant historical events. The killing of several anti-British protestors, including eleven-year-old Christopher Seider and a mixed-race man, Crispus Attucks, during demonstrations in Boston in the winter of 1770 helped spark the Revolutionary War—which, in turn, led the framers of the Constitution to include protections for the right of Americans to peaceably assemble for the redress of grievances.

Paul Revere’s incendiary engraving of British troops firing on colonial protesters during the Boston Massacre helped build support for the American Revolution

This right was secured in part because of England’s Riot Act of 1714 – 1967, which permitted authorities to disperse any groups of twelve or more people, if local officials determined that they were “unlawfully, riotously, and tumultuously assembled together.” Violating the Riot Act was a felony, subject to the death penalty (more than 200 offences were capital crimes in England in the 18th century—everything from murder to shoplifting to cutting down somebody else’s trees). There was a catch, however. Officials had to publicly invoke the riot act before the assembled crowd in order for the law to be enforced (“reading the riot act”).

The English government felt such a law was warranted because the 18th and 19th centuries saw so many spirited demonstrations against all sorts of injustice, including religious strife in the 1710s (during which the law was enacted), voting rights in the 1860s (during the Hyde Park riots), and 1887’s Bloody Sunday, in which years of economic depression boiled over among London’s working class, and an organized march turned into a violent clash with the police.

The Hyde Park suffrage riots of 1866, from Illustrated London News

Some demonstrations were more locally focused.  Just like we’re seeing today, it was not unusual for people to gather to protest miscarriages of justice. In 1871, after the man accused of the brutal murder of sixteen-year old Jane Clouson was acquitted, protests broke out among supporters of both sides of the issue: those who felt justice was served demonstrated near the Old Bailey courthouse, and those who did not marched, chanted, and carried effigies outside the home of defendant Edmund Pook for five consecutive nights.

Newspapers printed pictures of the Pook family home, so protesters could easily locate the target of their rage

What had so enraged the public following the trial? Pook was the more privileged son of Clouson’s employers (she was a maid-of-all-work in the Pook household), and the locals, the working-class folk of her neighborhood, considered Jane Clouson a part of their community. In their eyes, this was yet another example of the rich and privileged getting away with injustice at the expense of the poor. Those protesting at the courthouse felt that the acquittal was the result of shoddy and malicious police work: believing police had framed the innocent Pook, they considered his acquittal a victory of jurisprudence.

In the second Myrtle Hardcastle Mystery, How to Get Away with Myrtle, Myrtle encounters protesters outside the local police station, demanding justice for a murder victim. This was one aspect of the 19th century justice system I wanted to illustrate—proof that it’s not always the powers that be that must secure our most treasured freedoms, but we the people. Such demonstrations have historically served as the final recourse of people who feel their concerns have too long gone unheard.

For more historical perspective on the current events, here are some useful links:

Protests and Riots at History.com

Lesson Plans on Civil Disobedience at PBS.org

Articles and Essays on the Civil Rights Movement at the Library of Congress

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#MyrtleMondays: Fun at the Victorian Seaside, Caught on Film!

Memorial Day, although a solemn holiday of remembrance since its post-Civil War origins (read more about the observance and its history at History.com), has long been considered the unofficial kickoff of the summer holidays in America. And though we’re all hopefully still staying safely away from crowded beaches this year, spending a sunny (or chilly) summer day at the seaside was just as popular in the Victorian age. In fact, thanks to the railroads and the development of the modern workweek (and the modern middle class), you could say the Victorian English invented the modern seaside vacation!

image by Jenn at Centuries Sewing | Doll costume made by ecb

The second Myrtle Hardcastle Mystery, How to Get Away with Myrtle (October 6), takes place in an English seaside holiday town in 1893, and today I’d like to share some wonderful early films that capture all the fun of this enduring pastime.

Motion pictures weren’t quite available yet in 1893, but they were coming—and swiftly. These films span the earliest days of the movie industry, and cover all the amenities a holidaymaker could ask for, then and now: promenading on the pier, taking a paddle steamer out to sea, frolicking on the beach, and enjoying musical entertainments. Technology and fashion might advance a bit, but fun stays the same. (Their notion of sun protection was far ahead of ours, however!)

A fashion magazine’s idealized image of the beach in the 1880s

So fix yourself a glass of lemonade or an ice cream soda, kick back, and enjoy these first viral videos of families enjoying the beach! (While you stay well away from any viral beach activities.)

First up, the earliest piece is by the Lumiere Brothers, pioneers of French filmmaking, and features the arrival of a train at the French seaside village of La Ciotat in 1895.  From the oncoming locomotive to the bustling platform and the travelling clothes (and bundles! What do they all have in those bundles?!) of the waiting passengers, this colorized version brings this everyday event vividly to life, 124 years later.

Next up is a lovely afternoon (or a couple) at Blackpool, a resort town in northwest England. By the time this film was shot in 1904, Blackpool was already famous for its Tower, completed ten years earlier: a metal monument inspired by the Eiffel Tower in France. It still stands today, and was—and remains—a major attraction. You can catch a glimpse of it—and much more—in this film featuring the Blackpool Pier (ambient sound effects and music have been added). I keep thinking how cold everyone looks!

Finally, we have some great footage from 1900 of the paddle steamer Brighton Queen pulling into a jetty in Sussex to allow the passengers to disembark. These steam-powered vessels carried holidaymakers from larger towns with railway termini to smaller seaside villages where the trains didn’t run. Such a ship plays a pivotal role in How to Get Away with Myrtle

Living in the landlocked Midwest, it will be some time before I see a beach again, but Myrtle’s seaside holiday begins on October 6.

Cover artist Brett Helquist perfectly captured the spirit of 19th century travel posters

Happy Summer, everyone! Stay safe!

~

ps: For more information on the doll ensemble shown above, click here.

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On Tour with How to Get Away with Myrtle

The big day has arrived, and as promised, here is a recap of all the stops Myrtle made on her whirlwind tour today, along with the special events occurring at each fabulous port of call. Click on the gold headers to go straight to the good stuff:

BookPage

Read an exclusive sample chapter of How to Get Away with Myrtle 

From the Mixed-Up Files of Middle Grade Authors

Enter to win two exciting prize packs of Myrtle Hardcastle Mysteries from Algonquin Young Readers

MG Book Village

Featuring a new interview with me, chatting about Victorian forensic science, teacher resources, and more! 

Please stop by, and many thanks to our host blogs for all their hospitality! You’d all make Ballingall Excursions proud.

One Response to “On Tour with How to Get Away with Myrtle”


  1. Judy Hyde
    Wonderful blog tour! Can’t wait to read both Myrtle Mysteries! 😀

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#MyrtleMondays: Myrtle’s Book 2 Blog Tour!

Just in time to kick off the summer virtual holiday season, Myrtle Hardcastle is embarking on a blog tour to celebrate the fantastic cover for Book 2, How to Get Away with Myrtle! Mark your calendars and join us this Thursday, May 21, at the following Fabulous Ports of Call, Scenic Byways, and Roadside Attractions!!

12:oo pm Eastern: Book Page

Excerpt from How to Get Away with Myrtle and cover reveal

Afternoon: From the Mixed-Up Files (of middle-grade authors)

Cover reveal and giveaway!

Evening: MG Book Village

Cover reveal and interview with Elizabeth (me)!

Check back Thursday for updated, direct links. (I’ll be reminding you, just in case!)

Huge thanks to our host venues for sponsoring this fantastic event! Can’t wait to see everyone.

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#MyrtleMondays: Myrtle (and more) on Audio!

Great news for audiobook fans (which is pretty much everyone, right?!): The Myrtle Hardcastle Mysteries books are coming out in audiobook editions. Premeditated Myrtle and How to Get Away with Myrtle will arrive October 6, just in time for commuting to resume, perhaps!Recorded Books has picked up Myrtle 1-4, and cast Welsh actor Bethan Rose Young to read them. You may be familiar with Young’s work from her recent appearance in Knightfall, as the voice of Eva in the English-language version of Netflix’s High Seas, her various voice and theater work, or her YouTube videos, where she’s been singing for years. Check out some of her voice reel–I think you’ll agree, she’ll be the perfect Myrtle!

Myrtle and Luke Skywalker? (Mark Hamill and Bethan Rose Young, Knightfall 2019)

…And Luke Skywalker and me! (With C.J.) Mark Hamill and the Cosplaying Bunces, San Diego Comicon 2011

Now’s a great time to mention that A Curse Dark as Gold is also available in a fabulously spooky and atmospheric audio version.  Click here to hear a sample.

Charlotte Parry reading Charlotte Miller. It was fated. (I actually chose her from a selection of potential narrators!)

What’s your favorite audiobook? I grew up listening to Doug Brown of Iowa Public Radio read classic literature like The Count of Monte Cristo and A Christmas Carol. A great reader adds a magical dimension to a wonderful book, and I can’t wait to hear Bethan Rose Young bring Myrtle to life in a new way!

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#MyrtleMondays: Three Cheers-And a Star!-for Myrtle

When I started #MyrtleMondays, it was because I was sitting on a HEAP of good news that I couldn’t wait to share. It’s finally time: Premeditated Myrtle has received several enthusiastic institutional reviews–including a STAR from Booklist! Huzzah!

BOOKLIST STARRED REVIEW

There is something afoot at Redgraves, the house neighboring Myrtle Hardcastle’s own, which is why the precocious 12-year-old took it upon herself to phone the police. Myrtle is quite sure that something dastardly has occurred, but she is thrilled when the crime appears to be murder—not that anyone else is calling it that, yet. After the body of cranky old Miss Wodehouse is removed from its last earthly bubble bath, the cause of death is pronounced to be heart failure; or, if you’re Myrtle, heart failure due to poisoning. Myrtle’s above-average intellect, passions for justice and science (an endearing blend of her parents’ professions), fondness for detective stories, and predilection for asking questions make her the perfect person to investigate what is obviously a crime most foul. Written very much in the style of Alan Bradley’s Flavia de Luce mysteries, Myrtle’s spirited investigation—aided by her governess, who champions the Socratic method of learning—is a joyful thing to behold. Well-crafted red herrings throw Myrtle and readers alike for a loop or two, and an old story about a rare and precious flower grows some very real roots as details about Miss Wodehouse emerge. Set in Victorian England, this mystery gleefully overturns sexist norms and celebrates independent women of intellect, with Myrtle Hardcastle leading the charge.

Right now, Booklist is making their digital editions available online free to everyone! The May 1 issue, “Spotlight on Crime Fiction” features mysteries and true crime for all ages—so be sure to check out everything you’ll be wanting to read while waiting for the big #DoubleMyrtle release of Premeditated Myrtle and How to Get Away with Myrtle on October 6. (I certainly saw several things I’m itching for!)

Please have a look at the main Premeditated Myrtle page, where you can read the full reviews from Booklist, Kirkus, Horn Book, and The Bulletin of the Center for Children’s Books.

Happy reading!

ps: I have even MORE good news: I have turned in Book 3 to my publisher, and I’m amassing a stack of research materials for Book 4!

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#MyrtleMondays: Make your own Victorian Stereoscope

Today’s post is a Making Monday, all about a classic Victorian stay-at-home amusement. My Myrtle Hardcastle Mysteries series is about a 12-year-old English girl in 1893, and along the way, I’ll be sharing things that would be familiar to kids of her era.

Throughout the 19th century, people everywhere were enchanted by three-dimensional imagery from around the world. Many middle-class homes sported a stereoscope, a device for viewing three-dimensional photographs (the direct ancestor of the 20th and 21st centuries’ ViewMaster). First invented in the 1850s, the stereoscope and accompanying stereographic images, known as “views,” would enjoy enormous popularity for nearly the next century.

Seaside stereograph view of Southsea, England, 1893 Right-click to view and print at full size.

Thanks to this vast enthusiasm, period stereographs and viewers are still readily available–and reasonably affordable–on the antique market. Pictured below is my own viewer, a 1901 Underwood, and at the bottom of this post are several views from my collection that may be of particular interest to Myrtle fans. (I know of no period crime scene stereographs, although their existence would hardly surprise me!)

In addition to travel photos, images depicting stories were popular—sometimes you can find multiple views from a set. For example, this exquisite image comes from an 1875 French stage production of Jules Verne’s From the Earth to the Moon:

You can see  (and print!) the whole series here at borg.

If you don’t happen to have on hand your own Victorian stereographs or viewer, 21st century technology makes it possible for the crafty Maker to easily recreate them at home.

The Smithsonian Institution National Museum of American History offers a tutorial to build your own viewer from materials you probably have at home, like cardstock, hot glue, and old reading glasses.

Original Stereoscope (left) and DIY replica (right) © Smithsonian; photo by Mary Kate Robbett

The exact dimensions of your stereograph views will depend somewhat on the technical specifications of your viewer, but 19th century stereograph cards were typically a standardized size of 3.5×7″ (some in my collection vary slightly). Of course, a stereoscope viewer isn’t strictly necessary; the London Stereographic Company gives tips on “free viewing” without a device.

Once you have a viewer, you’ll need something to look at!

This terrific video from Make Magazine explains stereopsis, the science behind stereoscopy, and how to take your own stereoscopic photographs:

Astrophysicist and musician Brian May (of Queen fame) has been a lifelong stereography fan, and operates the London Stereoscopic Company, an online clearinghouse of all things stereoscopic—antique, vintage, and modern.

The Library of Congress also maintains an enormous collection of wonderful images (some 5000!) and information on stereography.

And here are some views from my own collection that I’ve selected for you. Right click to view and print at full size. Don’t forget, you can always make your own from your own drawings and photographs, too.

There you go–be like the Victorians, and travel the world without ever leaving your living room!

Happy making!

One Response to “#MyrtleMondays: Make your own Victorian Stereoscope”


  1. Judith
    When I was twelve I walked to the Ottumwa, Iowa Public Library on Saturday mornings and viewed their large collection of pictures on a stereoscope.
    It was fun.
    This is so neat to see.

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A #Myrtle Mondays #DoubleMyrtle Cover Reveal!

On this #MyrtleMonday, I’ll be doing a virtual school visit for Liberty Middle School’s Writers Festival, chatting with the kids about writing, Making, and Myrtle!

But for everyone else, I’m so excited to share the amazing (stupendous, glorious, gorgeous, breathtaking, and absolutely magnificent) cover for Myrtle Hardcastle Mysteries Book 2: How to Get Away with Myrtle

(Did you scream?! I might have screamed. There might have been Kermit arms.)

I could chatter away for weeks about this, but I’m inches away from my deadline for Book 3, so instead, as Myrtle would say: res ipsa loquitur. It speaks for itself.

But I KNOW you want more details, so head on over to borg for the OFFICIALLY OFFICIAL How to Get Away with Myrtle Cover Reveal. And check out the How to Get Away with Myrtle page to learn more about Myrtle’s second adventure!

Premeditated Myrtle and How to Get Away with Myrtle are coming your way October 6!

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#MyrtleMondays: Premeditated Myrtle Unboxing! – Elizabeth C. Bunce

Today’s #MyrtleMondays post is a happy surprise! I had Something Else planned, but you’ll just have to wait (oooh, suspense!), because…

I got my AUTHOR COPIES!!! The shipment almost languished after the abrupt exodus of everyone from my publisher’s physical offices, but an industrious elf (or, most likely, a hardworking team of #Essential Elves) managed the impossible, and got me a box! I’m excited to bring you some glimpses of the beautiful (BEE-YOO-TI-FUL!!) hardcovers of Premeditated Myrtle. My editor was exactly right when she said that the digital images we’d seen heretofore do not do justice to just how amazing these books look in person.*

You can watch the Unboxing Video here:

I wrote the words, and had Thoughts on the cover, but want to call out the incredible design work by the team at Algonquin Young Readers. Jacket design by Laura Williams, cover art by Brett Helquist, title delightfully hand-lettered by Leah Palmer Preiss (go see her wonderful artwork–you will get lost there for hours!). I am enchanted by the whole package of the orangey-yellow (perhaps goldenrod?) cover contrasted with the deep inky purple jacket–it all looks so inviting! I hope you think so, too.

But I think this might be (one of) my favorite part(s):

The series number on the spine!! When I’m pulling mysteries off library shelves, I like to know which one to grab next. Some books make you hunt all over to find out what order they were published in! The Myrtle Hardcastle Mysteries can be read in any order you like, but I know some readers prefer to read sequentially. They’ve made it beautifully easy!

The inside of the book is spectacular too, with stunning page layouts, Very Fancy Fonts, and some extra surprises, all designed by Carla Weise. You can tell everyone who worked on these books had a lot of fun.

And we can’t wait for you guys to get Premeditated Myrtle into your hands, too!

*e-book readers, do not despair: The electronic copies are just as gorgeous! I promise. You just can’t stack them up quite as well.

3 Responses to “#MyrtleMondays: Premeditated Myrtle Unboxing!”


  1. Judy Schuler
    Love it. Can’t wait to read it (again). And I want a hard copy. Once we can get back to having group in person, I’ll want it autographed. Maybe by the time it’s in the stores, that will happen. Congratulations!

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