#MyrtleMondays: Cold-Blooded Myrtle releases tomorrow!

Tomorrow! Tomorrow! I love ya, tomorrow, you’re only a day awaaaaaaay! Yes, that’s right, Dear Readers, we are less than twenty-four hours from the big release of Myrtle Hardcastle Mysteries Book 3, Cold-Blooded Myrtle!  There’s still plenty of time to get in on all the release week fun!

Comic strip heroine Little Orphan Annie (1924-2010) grew out of the penny dreadful tradition of Myrtle’s era, and endorsed several wholesome products for kids, like Ovaltine and murder mysteries.

Myrtle’s third misadventure in Victorian criminology is already receiving rave reviews, including a star from Kirkus, plus another honor I can’t officially tell you about yet (pssst–it rhymes with windy text).

And my tireless publicity team at Algonquin Young Readers is hard at work behind the scenes, arranging my massive virtual and live book tour! See all my upcoming events here and here!

But we’ve already started celebrating…

A big thanks to the Southern Festival of Books for kicking off release week with a terrific panel Saturday morning with Kathi Appelt and Jessica Young. Librarian Lis Ann Morehart from the Shelbyville-Bedford County (TN) Public Library did a magnificent job moderating her passionate guests as we chatted about creating lifelong readers and inspiring kids through books. Thanks to festival bookstore Parnassus Books in Nashville for sponsoring the festival!

After the panel, I popped over to The Raven Bookstore in nearby Lawrence, KS, to sign stock. The Raven is hosting one of my virtual events this week (Wednesday evening)–click here to RSVP!

Bookstore cats Ngaio and Dashiell could barely contain their excitement at my appearance (so much for celebrity!). Your Learned Author, on the other hand, was a little more starstruck.

I can’t begin to tell you how displeased my own cats are that we don’t have six foot banners of them on display.

We all know it’s hard to impress a cat, but this GIANT STACK OF SIGNED COPIES would make the most famous author feel humble.

Hey! I made those!

So. Are you ready for Christmas in October? Cold-Blooded Myrtle will be on bookstore and library shelves (and e-readers and audiophile files!!) everywhere tomorrow, October 5, 2021!

And don’t forget your copies of the first two Myrtles!

Come and see me this week! Unless, of course, you’re too busy reading…

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#MyrtleMondays: Cold-Blooded Myrtle book tour starting next week!

Huzzah! It’s almost here! We are just EIGHT DAYS away from the release of Myrtle Hardcastle Mysteries Book 3, Cold-Blooded Myrtle!! This is your last chance to pre-order a copy from your favorite bookseller… or one of the fine bookstores hosting Cold-Blooded tour events! Check out my full fall schedule below. I have both in-person and virtual events lined up!

Signing bookplates for my virtual events. This means you can get a signed copy even without meeting me (or Boo) in person! Signed books (not just bookplates) will be available at metro Kansas City area venues, marked with * below.

Southern Festival of Books, Nashville, TN

Saturday, October 2              11:00 am CT

Virtual conversation with Kathi Appelt and Jessica Young

Murder by the Book, Houston, TX

Tuesday, October 5                 7:00 pm CT

Virtual conversation with Fleur Bradley

*The Raven Bookstore, Lawrence, KS

Wednesday, October 6           7:00 pm CT

Virtual book release (signed copies available October 4)

Best of Books, Edmond, OK

Thursday, October 7                7:00 pm CT

Virtual bookstore event

*Oak Park Barnes & Noble, Overland Park, KS

Friday, October 8                     7:00 pm CT

Book release party: in person reading and signing (Signed copies available after the event)

*The Green Door Bookstore, Overland Park, KS 

Saturday, October 9               11:00 am CT

In-person kids’ storytime  (Signed books available after the event)

*Rainy Day Books, Fairway, KS 

Monday, October 11                 4:00 pm CT

Virtual bookstore event (Signed books available October 12)

Watermark Books, Wichita, KS

Tuesday, October 12                 2:00 pm CT

Virtual school visit

The Silver Unicorn Bookstore, Acton, MA

Wednesday, October 13        6:00 pm CT

Virtual conversation with Dori Hillestad Butler

Tweens Read Book Festival with Blue Willow Bookstore, Houston, TX

Tuesday, October 19               9:00 am CT

“Who’s Ready for Adventure?” virtual MG panel with Sheela Chari and Rena Barron

Swamp Fox Books, Marion, IA

Monday, October 25               1:00 pm CT

Virtual bookstore event in my home state!

Johnson County Library Writers Conference, Overland Park, KS

Sunday, November 7             Time TBA

Virtual workshop for young writers: “Character Building: How to Create Great Characters for Your Stories”

I would love to Zoom by and talk to your students, patrons, or customers! Contact me if you’d like to book an appearance, or let your local bookstore know!

Don’t forget that Myrtle Hardcastle Mysteries Books 1 and 2Premeditated Myrtle and How to Get Away with Myrtle, are now available in paperback, so you can get caught up on all of Myrtle & Co.’s misadventures in Victorian criminology. All of the host bookstores listed above will have either signed bookplates or books available, while supplies last.

The whole series is waiting at a bookstore near you!

See you next week!

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#MyrtleMondays: Celebrating the Chelsea Flower Show

Tomorrow, Tuesday 21 September, Londoners will partake in one of the most lively and colorful events of the social season, a tradition dating back almost 110 years: the Royal Horticulture Society’s annual Chelsea Flower Show. What does this have to do with the Myrtle Hardcastle Mysteries, you ask? Read on…

Myrtle has donned her gardening togs in honor of flower show season

Swinburne Ladies’ Garden Club
Invitational Flower show 1893.

Dear Reader, I am not sure I can do justice to the Swinburne Ladies’ Auxiliary Social Hall ballroom that August morning. The marble floors were almost totally obscured by makeshift garden plots, which did not in any way appear makeshift. It looked as though their builders had been at work for months, installing the beds and plantings… For my part, I could not decide where to look. A Japanese garden with a bed of combed sand and a blossoming cherry tree? A medieval knot of herbs surrounding a stone bench, upon which posed a little boy dressed as Cupid, brandishing a golden bow?

                              —Premeditated Myrtle, Chapter 14

Flower shows like the one Myrtle attends were a celebrated Victorian tradition, stemming (ahem) from their enthusiasm for gardening in general.

Read more: Gardening for Victorian Girls

The Royal Horticultural Society’s Flower Show of 1873, before moving to the grounds of the Royal Hospital, Chelsea.

The Royal Horticultural Society moved their annual exhibition, formerly The Great Spring Show, all over London throughout the 1800s, but settled on the grounds of the Royal Hospital, Chelsea in 1913—where it has stayed every year since (except in times of war or global pandemic), and is now a fundraiser for the RHC, a retirement home for British veterans. (Psst: a lively hospital fundraiser also plays a key role in Myrtle Hardcastle Mysteries #4: In Myrtle Peril, coming October 2022!)

The Flower Market, Victor Gabriel Gilbert, 1873

Famous for its elaborate themed floral displays that take months to plan and hundreds of people to execute, Chelsea is one of the world’s most famous flower shows. The Lindley Library of the Royal Horticultural Society has a virtual exhibit celebrating the flower show’s history.

Painting of a scene at a flower show marquee signed, ‘A Bright, 1866’. Research suggests that this painting could depict a scene at the 1866 Great International Horticultural Exhibition. The exhibition was held under canvas on the site of the Great Exhibition in Kensington adjacent to the Royal Horticultural Society garden. Proceeds from the exhibition were used by the society to purchase the Lindley Library. Image: Lindley Library, RHS

If you’re not lucky enough to be in the UK to see the festivities in person this year, Britbox will be streaming highlights of the event starting this Tuesday (check your streaming platform for details).

I was so smitten with this 1887 fashion plate of gardening clothes for a girl Myrtle’s age that the inevitable occurred. (I couldn’t find a matching rake, so I made up for it by making the straw hat. From scratch.)

Remember, you can read all of Myrtle’s gardening adventures in Premeditated Myrtle, now in paperback.

Happy gardening—or garden-viewing, which sounds much more leisurely…

One Response to “#MyrtleMondays: Celebrating the Chelsea Flower Show”


  1. J. Hyde
    Rereading PREMEDITATED MYRTLE as we speak. 😊 Life goal is to attend the Chelsea Flower Show. Enjoyable post.

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#MyrtleMondays-From Page to Seam: Making an 1890s Cycling Costume

Last month, when I debuted my 1890s cycling costume (aka “Victorian Velma”) at Planet Comicon, there wasn’t enough time to get as many photos as I would have liked, and they were missing a critical component: my bicycle! I have finally rectified that, and would like to tell you all about this epic costuming endeavor, which has evolved side-by-side with the Myrtle Hardcastle Mysteries.

As a historical costumer and cosplayer, I take a keen interest in the sartorial lives of my characters, and whenever possible, I like to craft costumes inspired by my books. With the Myrtle Hardcastle Mysteries, most of those costuming impulses have been inflicted on eighteen-inch dolls:

Dresses from the covers of Premeditated Myrtle and How to Get Away with Myrtle. (Cold-Blooded Myrtle costumes coming soon!)

But there was one ensemble I knew I had to make for myself. Myrtle and Miss Judson are avid cyclists, and in the late 1800s, bicycles represented freedom and modernity to girls and young women like Myrtle. I hadn’t ridden a bicycle since I was Myrtle’s age, but writing the books has rekindled my own interest in biking!

Read more in my post Victorian Girls on Bicycles!

Women’s clothes of the Victorian era were bulky and layered, and the long skirts and multiple petticoats could present a hazard in the ever-growing sport of cycling. (Most people know that girls’ and women’s bikes, even today, are designed without a horizontal crossbar between the seat and the handlebars, to make room for cycling in a skirt.) Enterprising sportswomen and clothiers began to develop more practical garments for the endeavor. One of the most iconic and well-recognized elements of this period costume is the bloomers:

This mid-1890s French fashion plate shows off stylish and practical togs for the female cyclist and motorist.

Bloomers were typically paired with lightweight cotton blouses called shirtwaists, like the ones sported by these racers in London in 1895:

For all-season wear, a jacket or cape was required:

And no ensemble was complete without a hat:

My cycling costume includes the following components:

The Shirtwaist

In the spirit of one of my own favorite fictional detectives, Velma Dinkley of “Scooby Doo” fame, I designed my cycling ensemble in shades of orange and brick red. My shirtwaist is made from a quilting-weight cotton print in a lovely Victorian stripe. I used a pattern from Black Snail Designs, based on an original shirtwaist in the Metropolitan Museum of Art:

The Black Snail pattern and its extant inspiration

Adorning the collar is a vintage brooch that belonged to my grandmother, a writer and actor who would have enjoyed seeing her grown-up granddaughter incorporate it into a costume.

(And lest you fear I’ve departed radically from period-correct colors, here’s a nice coral orange shirtwaist to ease your mind!)

You can see how voluminous the garment is. These weren’t only worn for cycling, but the looser fit of the shirtwaist affords athletes (or anyone doing physical labor) a lot of freedom of movement, without the danger of the garment getting caught up in machinery.

Cycling Bloomers

A fashion innovation combining safety, modesty, and up-to-the-minute style, bloomers were the ideal garment for Victorian sportswomen, and not just for cycling—they were worn in activities from fencing to basketball to mountaineering.

These 1850s women are wearing their pantaloons for swimming

Nicknamed for American feminist Amelia Bloomer, who advocated a shortlived trend for women’s trousers in the 1850s, these so-called “bloomers” didn’t catch on until the popularity of the bicycle took off in the 1880s. (My first novel, A Curse Dark as Gold, was named an Amelia Bloomer Project selection, celebrating children’s books with strong female characters. And yes, I made a costume for that one, too!)

I used another Black Snail pattern for my bloomers, and sewed them from brick red cotton sateen. Bloomers should be made from sturdy fabric that won’t show dirt, grass stains, sweat, or bicycle grease, and will protect you against the hazards of the road.

A critical feature of good bloomers (and girls’ and women’s clothes in general) is capacious pockets, and the Black Snail bloomer pattern has huge ones!

Seriously, you could carry a cat in these things!

It took me a bit to get used to the odd feeling of the bloomers–they’re not like wearing pants or skirts (historical or modern), being tight in odd places (like the knee straps) and hugely voluminous in others. But I adapted swiftly, and have become quite smitten with their smart style and practicality!

Deerstalker Cap & Ulster Cape

In keeping with tradition, I naturally rounded out my ensemble with an ulster-style cape and a deerstalker cap. Read more about this iconic ensemble: Dressing the Victorian Detective

Although I won’t be swapping out my capris and T-shirts for every ride I take, I have loved every minute of my journey into Victorian cycling. My vintage 1950s Schwinn rounds out the experience!


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#MyrtleMondays: Myrtle paperbacks are here!!

I have Big, Big News, Dear Readers!

Peony can hardly stand the excitement!

Premeditated Myrtle and How to Get Away with Myrtle, Books 1 and 2 of the Myrtle Hardcastle Mysteries, are now available in paperback! Or, well, they will be tomorrow, September 7.

This is the perfect time to pick up a backup copy, or to get a young friend hooked on the series before Book 3, Cold-Blooded Myrtle, comes out next month!


For the completists among you (and I know you’re out there!), you should note that the paperbacks are the only versions currently available with the Edgar Award on the covers.

All of the mystery, in a compact, travel-friendly package

And since I’ve vowed to get you in the holiday spirit, Peony would like to remind you that books make great gifts—and your local bookshops are depending more than ever on those holiday sales.

So pick up your paperback copies of Premeditated Myrtle and How to Get Away with Myrtle at your favorite bookseller today. Er, tomorrow!

In honor of the paperback release, I have some Making fun coming to the blog soon (your Learned Maker was temporarily out of commission due to an unfortunate Bicycle Maintenance Mishap). Plus, stay tuned for upcoming details of my big fall book tour for Cold-Blooded Myrtle. You won’t want to miss it!

One Response to “#MyrtleMondays: Myrtle paperbacks are here!!”


  1. Christina Jensen
    I’m so flipping excited! I already have Cold-Blooded Myrtle pre-ordered and I simply cannot wait. I love hardbacks for books I’m collecting and have How To Get Away with Myrtle – now trying to get my hands on Premeditated Myrtle to complete the trio before October! Thanks for writing these fantastic tales!

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#MyrtleMondays: Back to School

Oh, dear. Are there any more depressing words in the English language? I’m actually about to be on holiday (vacation) after turning in Myrtle Hardcastle Mysteries #4, but even so, contemplating the end of summer is still like fingernails on… well, you know. And for the second year in a row, kids are facing schoolyears fraught with even more strangeness and uncertainty than usual. Let’s have a look at what this annual ordeal was like for Victorian schoolchildren in England.

The Old Sunday School, Macclesfield, Cheshire, opened in 1814 after outgrowing its previous building, and served as a school until 1973. It’s now a museum. (photo by Mike in Macc)

Widespread education in England began in the 18th century with the advent of Sunday schools, which—unlike today—weren’t necessarily focused on catechism. Instead, they offered formal education to children who had to work in farm fields, mines, and factories the other six days of the week. Fees were paid either by the families themselves or more prosperous benefactors.

A London school around 1850, with all the children, teachers, and staff sharing a single large (and no doubt noisy!) room. Note how the youngest children are being taught by older students.

A series of Education Acts in the 19th century established compulsory education for children ages five to twelve. Children whose families couldn’t afford private education at home or boarding school went to local schools that charged a subscription fee (to recoup the cost to build the school). The poorest children—orphans, or those whose families could not afford even the smallest fees—could attend so-called “Ragged Schools.” It was not until 1891 that free elementary education was available to everyone. In addition to basic academic and religious lessons, schools for the working class taught vocational skills like metalwork and sewing, to prepare boys for a trade and girls for jobs as servants.

Students at Rugby School playing their eponymous game, 1859

After the age of 10, the sons of more prosperous families could attend boarding schools, while their sisters were educated at home for most of the era.

These well-to-do 1870s girls are studying with their mother or a governess (I’m guessing Mum, from her dress and since the housemaid is consulting her about something.)

Middle and upper-class households often employed a governess, especially to teach their younger children. Governesses were typically well-educated young women who may have fallen on hard times, and their position in a household could be awkward. Of the same social class as their employers, they were not quite family members, and not quite servants, fitting comfortably into neither group.

The demand for governesses dropped off by the end of the century, as better educational opportunities for girls arose. Both the students and potential governesses benefited, as new schools also needed new teachers and staff. Secondary school education (past the age of 12) became more common, with “day schools” (or high schools) opening up to teach middle class girls, and boarding schools offering more rigorous academic instruction alongside the social graces. A college education for young women was considered a novelty and a luxury for those who could afford it, after which they were expected to settle down and marry (although some students had other plans!). In contrast, the day schools prepared girls who would one day have to work for a living to take up professional careers. Even so, by the end of the century, the vast majority of English girls received no formal secondary education.

Girls at Durand Secondary School in London study science in a well-equipped laboratory classroom, 1908

A typical secondary education included coursework in Classics (Latin and Greek literature, history, and languages), French and German, the sciences (chemistry, physics, and natural history, or biology), mathematics, physical education, and optional classes in art, music, or technical skills like bookkeeping and shorthand.

Girls in gym class (and bloomers!) at Charleston High School (Boston, MA), 1893

These lads are studying mechanical drawing at Hampton Institute (now Hampton University) in Virginia, 1899

The English educational system was far-reaching. Here, soldiers’ children attend a British Regimental School in India in the 1880s

While we have Victorian schools to thank (or blame) for our modern system of compulsory education, we can also thank them for another blissful concept: they invented summer vacation. So whether you’re picking up a slate or logging into Zoom this fall, spare a thought for the generations of schoolkids who’ve suffered just like you, with the end of the lazy days of summer break.

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#MyrtleMondays: Seeing Stars

Well, friends, this has been quite a week in Myrtle’s world! I just wrapped a wild weekend of signing books for fans old and new at Planet Comicon Kansas City, but before that, we had some great news…

Jinkies! Check out those cosplayers!

This week, Myrtle Hardcastle Mysteries Book 3, Cold-Blooded Myrtle, got its first institutional review—and it’s a star from Kirkus! This is so exciting—and, well, why don’t I let them tell you:

Morbid Myrtle to the rescue once more, solving murders in her Victorian English village.

It’s convenient that the Swinburne Village’s murderers are every bit as over-the-top and elaborate as Myrtle is dedicated to Investigating. This time around, the murderer signs the elaborate executions by rearranging The Display: each death scene meticulously created in the scale model of the village set up each year for Christmas. Of course, Myrtle would be determined to solve the crimes under any circumstances, but these serial killings seem to have some connection to her dead Mum. Myrtle, a White 12-year-old, has excellent detecting assistants: her French Guianese governess, Miss Judson, who is almost more dedicated to Investigating than Myrtle; White Mr. Blakeney, who still calls Myrtle by the nickname “Stephen”; and Indian British Caroline, whose father was Myrtle’s Mum’s college friend and who is also connected to the killings. Can they unravel the killer’s motives while Swinburne’s worthies are all implicated? What if Caroline’s and Myrtle’s parents are guilty? And why won’t Miss Judson and Myrtle’s father just kiss, already? Classical allusions and a secret society accentuate the Victorian feel, but Myrtle explains the history as much as she explains 19th-century engineering, so readers should only be puzzled by the mystery itself. Comical footnotes pepper the text, adding wit to prose which is already dryly funny. Clues abound, giving astute readers the chance to solve the mystery along with Myrtle.

Another excellent whodunit with a charming, snarky sleuth. (historical note) (Historical mystery. 9-12)

—Starred review, Kirkus Reviews, August 18, 2021

Cold-Blooded Myrtle will be here before we know it!

Seriously: these books literally got here before I knew it; I was expecting copies of Premeditated Myrtle and How to Get Away with Myrtle for the convention!

In the meantime, I am wrapping up revisions on Myrtle Hardcastle Book 4, so no more wild weekends for me for a while. It’ll be late nights toiling away over a hot keyboard…

But at least I’ll be dressed well (in my Velma Dinkley-inspired 1890s cycling costume)!

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#MyrtleMondays: Planet Comicon this weekend!

It’s (finally) convention season in Kansas City! I’m delighted to share the news (or maybe just remind you) that I will be a featured guest at Planet Comicon this weekend, August 20-22.

Kansas City’s convention scene has always been my home venue, and after a rather scary year+ of delays and cancellations and uncertainty, Planet Comicon is back on! Kansas City has a mask mandate (thank goodness), so all exhibitors, crew, guests, and attendees must mask up for the good of the collective.

Space helmets work too.

Come find me in Artist’s Alley at Booth 2240, where I’ll be dressing up all three days! I am debuting a new Myrtle Hardcastle Mysteries-inspired ensemble that I can’t wait to show off, plus I’ll have books available to sign and purchase.

Joined, as always, by my cosplay co-conspirator, C.J.

Hope to see you there!

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#MyrtleMondays: Stansberry Pie

Oh, the last gasp of summer. Actually, we have been gasping here lately with the crazy heat and the air quality and the rising COVID numbers (and, thank goodness, a local return of mask mandates!). As I wind up revisions on Myrtle Hardcastle #4 while prepping for Kansas City’s Planet Comicon (come see me at table 2240!) in a couple weeks, this is a great time for pie.

Yes, pie. Stansberry pie, in fact!

Husband C.J. made Myrtle’s favorite pie for a friend who dropped by for an impromptu book signing last week!

Cook’s Christian name was Harriet Stansberry, although I’d never heard her called anything but Cook. I was six years old before I even realized she had another name. One of Father’s favorite dishes was something we called Stansberry Pie, and I once suffered a week of botanical confusion trying to classify the elusive stansberry, which did not appear in any field guide, taxonomy, or recipe book that I could find.

…It turned out to be a tart containing apple, strawberry, and rhubarb. It was rather good, particularly warm out of the oven, with cream.

                                                    Premeditated Myrtle

As Myrtle discovers, Stansberry is not a fruit (unlike marionberry), but an old English surname with origins from the Yorkshire place name Stainsborough. (You might have run across the more common spelling of Stansbury—which, sadly, has no pie.) Stansberry also happens to be my mother-in-law’s maiden name (Hi, Judy!)… and for this Myrtle Mondays post, I’m sharing a variation on a family pie recipe, adapted, refined, and reverse-engineered from its fictional counterpart by my husband, C.J.

The magnificent Stansberry Pie, from page to table

Myrtle notes that the Stansberry Pie of Premeditated Myrtle is in fact a tart—which generally means it only has a bottom crust. But what is the point of that? In my considered opinion, fruit pie is a thinly-veiled excuse for indulging in pie crust, so double up on that pastry!

…But first, let’s talk about pie. In particular, Victorian pies. Or, to be precise, where the Victorians got their pie recipes. The undisputed 19th century authority on all things cookery was Mrs. Beeton’s Book of Household Management by Isabella Beeton, who was married to the publisher of The Englishwoman’s Domestic Magazine. Released in 1861, it became enormously popular, with new editions revised and updated well into the 20th century. It remains in print today! At 25, Beeton herself was an inexperienced household manager and drew largely from other sources including the magazine, but that did not stop her from serving up her reassuring guidance to the rapidly-growing population of her fellow middle-class housewives. Her most lasting contribution to cookery might be standardizing the modern recipe format of listing the ingredients first, followed by the instructions, even if some of her chapter titles seem odd to a 21st century reader (“General Observations on Quadrupeds”).

In nearly 1200 pages, Beeton’s covers everything a modern 19th century housewife needed to know, from how to manage servants, make antidotes for common poisons, to… well, let’s just let the subtitle tell you:

Everything you need to know

Mrs. Beeton offers nearly three dozen recipes for pie, both savory (like eel pie and, um, parrot pie) and sweet, such as the recipe for apple tart below. You’ll see from her illustrations that Beeton did not necessarily agree with the accepted bottom-crust-only definition of a tart, and for that we must commend her. (Also, don’t apricot fritters sound delicious?)

Illustrations of Puddings & Pastries from Mrs. Beeton’s Book of Household Management. The “fruit pudding” looks a bit vague…

Enough history! Let’s get cooking.

The original recipe, forever enshrined on my refrigerator

Stansberry Pie

Developed & Transcribed by C.J. Bunce

a tart containing apple, strawberry, and rhubarb

This recipe is for a full pie (double crust) but it can be adapted to single tarts if desired.  Kids (with parents’ help) and kids of all ages, give it a try and let us know what you think!

Ingredients

1 or 2 pie crusts (suggest traditional oil recipe below)

1 ¼ cup sugar

5 TBS flour

¼ tsp salt

Dash of orange rind*

½ tsp cinnamon**

¼ tsp nutmeg***

1 cup chopped rhubarb

1 cup sliced mixed apples (like Granny Smith or Jonathan mixed with Red Delicious)

2 cups sliced strawberries

1 capful of lemon juice

1 TBS butter/oleomargarine

One discontented and uncooperative hob (oven)

  1. Mix dry ingredients, sugar, flour, cinnamon, nutmeg, and salt.
  2. Mix in fruit, rhubarb, apples, and strawberries.
  3. Pour mix into bottom crust. Use second crust to make lattice top.  Dot on crisscrosses with butter cut into 1/3-inch cubes.
  4. Bake at 375 degrees for 40 minutes with aluminum foil loose cover.
  5. Remove foil and decrease to 350 degrees for 30 minutes.

* (more or less)

** (use a lot more)

*** (not more than that)

Look at all that fruit!

Traditional Oil Crust

2 ½  cups flour

1 tsp salt

2/3 cup olive oil

6 TBS ice cold water

Add oil to dry flour and salt, stir with fork, make two balls of dough, refrigerate for 15 minutes.  Roll or press out on oil-sprayed pie dish.  Bake 15 minutes at 350 degrees.

***

Top your finished pie with cream, whipped cream, ice cream, or what-have-you (or nothing), and enjoy while reading a great book!

Mrs. Beeton’s Apple Tart

(with original spelling, punctuation, and formatting!)

APPLE TART OR PIE

  1. Ingredients.—-Puff-paste No. 1205 or 120G, apples; to every 1 1b. of unpared apples allow 2 oz. of moist sugar, 1 teaspoonful of finely-minced lemon-peel, 1 tablespoonful of lemon-juice.

Mode,—Make 1 lb. of puff-paste by either of the above-named recipes, place a border of it round the edge of a pie-dish,’and fill it with apples pared, cored, and cut into slices; sweeten with moist sugar, add the lemon-peel and juice, and 2 or 3 tablespoonfuls of water ; cover with crust, cut it evenly round close to the edge of the pie-dish, and bake in a hot oven from 1/2 to ¾ hour, or rather longer, should the pie be very large.

When it is three-parts done, take it out of the oven, put the white of an egg on a plate, and, with the blade of a knife, whisk it to a froth ; brush the pie over with this, then sprinkle upon it some sifted sugar, and then a few drops of water. Put the pie back into the oven, and finish baking, and be particularly careful that it does not catch or burn, which it is very liable to do after the crust is iced. If made with a plain crust, the icing may be omitted.

Time.—1/2 hour before the crust is iced; 10 to 15 minutes afterwards.

Average cost 9d (ninepence)

Sufficient.—Allow 2 lbs. of apples for a tart for 6 persons.

Seasonable from August to March ; but the apples become flavourless after February.

Note.—Many things are suggested for the flavouring of apple pie ; some say 2 or 3 tablespoonfuls of beer, others the same quantity of sherry, which very much improve the taste ; whilst the old-fashioned addition of a few cloves is, by many persons, preferred to anything else, as also a few slices of quince.

(Mrs. Beeton kindly provided the following additional information on quinces and their potential hazards.)

Let me know if you try either of these recipes!

Enjoy!

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#MyrtleMondays: Forensic History & Bertillonage

If you (like your Learned Author) are an ardent fan of “Forensic Files,” there’s one technique you’ve likely never heard Peter Thomas discuss. Yet in the late 19th and early 20th centuries, bertillonage was at the cutting edge of criminal science. Let’s take a look at the fascinating rise and fall of this groundbreaking method of criminal identification.

Pioneering criminologist Alphonse Bertillon poses for one of his own innovations: the mug shot (1913)

As criminal justice grew more systematic and scientific in the late 19th century, one question captivated those at the forefront of hunting criminals: how to identify the culprits? One of the first and most effective attempts to create a catalogue of offenders was the brainchild of a French policeman, Alphonse Bertillon. Called “bertillonage” in its day, Bertillon’s techniques have evolved into today’s science of biometrics.

Tom Cruise faces off against a retinal scanner (Mission Impossible 4)

In the 1880s, Bertillon was a records clerk at the Paris Prefecture of Police, with a keen interest in anthropometry: the study of human measurements and physical variation. The son of a renowned French anthropologist and statistician, Bertillon swiftly realized that the Paris Police records were outdated and inefficient, and set out to correct that, creating a modern method of police recordkeeping and revolutionizing forensic science.

1896 chart showing the critical measurements and how to take them

Bertillon’s system involved the collection of specific physical measurements, carefully drawn and recorded, as well as precise photographs of the subject.

Bertillon record of a prisoner in Ohio (University of Pittsburgh)

What truly made Bertillon’s system unique—and useful—wasn’t the measurements, however. It was the cataloguing, the data processing, storage, and retrieval. Bertillon simplified and categorized the measurements into easily-cross-referenced records that could be swiftly sorted and culled when wanting to identify a prisoner. Prior efforts to keep prisoner records had been haphazard and unsearchable, making research too time-consuming to be practical. Bertillon’s system was the AFIS or CODIS of its day.

Thanks to the ease and efficiency of the techniques, Bertillon’s system was soon adopted by law enforcement agencies and prisons worldwide, and for several decades was a standard tool in criminal detection.

Bertillon: A killer always leaves traces when he departs

Although advanced for its time, bertillonage had several drawbacks. Unskilled or biased practitioners, as well as worn or damaged equipment, could lead to errors—most notably in the remarkable case of American inmates Will West and William West, African Americans interred at Leavenworth Prison with similar names and supposedly identical anthropometric measurements. The West case called attention to the propensity for racial bias to creep into the measurements, however objective they were intended to be.

Leavenworth inmates Will West and William West, showing their eerily similar mugshots contrasted with their readily distinguishable fingerprints

What finally led to the downfall of Bertillon’s system, though, was that it could only be used to identify suspects already in custody. It was no help at all in determining who might have committed a crime. Unlike fingerprints or DNA, criminals don’t leave their bertillon measurements behind at a crime scene. Useful only for identifying repeat offenders, bertillonage was gradually phased out in favor of fingerprinting.

A modern anthropometry diagram showing anatomical “landmarks” for measurement (Research Gate)

Yet Bertillon’s legacy lives on. His pioneering advances in crime scene photography, mug shots, ballistics, fingerprint analysis, and forensic mold-making (for tire impressions and footprints) formed the foundation of methods still in use today. And the science of anthropometry is still useful, if not for identifying criminals, then for helping to identify victims. Forensic anthropologists and artists use anthropometric measurements to determine sex, age, ethnicity, height, and even appearance of human remains.  Read more about how forensic sculpture brings the faces of the dead to life in this Smithsonian article. 

Forensic reconstruction of “Jane,” an adolescent girl from colonial Jamestown who perished during the “Starving Winter” of 1609-10. Read more: Discovering Jane

Interested in trying your hand at bertillonage? Here’s a handy downloadable chart for you and your classmates to take your own measurements.

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