#MyrtleMondays: Planet Comicon this weekend!

It’s (finally) convention season in Kansas City! I’m delighted to share the news (or maybe just remind you) that I will be a featured guest at Planet Comicon this weekend, August 20-22.

Kansas City’s convention scene has always been my home venue, and after a rather scary year+ of delays and cancellations and uncertainty, Planet Comicon is back on! Kansas City has a mask mandate (thank goodness), so all exhibitors, crew, guests, and attendees must mask up for the good of the collective.

Space helmets work too.

Come find me in Artist’s Alley at Booth 2240, where I’ll be dressing up all three days! I am debuting a new Myrtle Hardcastle Mysteries-inspired ensemble that I can’t wait to show off, plus I’ll have books available to sign and purchase.

Joined, as always, by my cosplay co-conspirator, C.J.

Hope to see you there!

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#MyrtleMondays: Stansberry Pie

Oh, the last gasp of summer. Actually, we have been gasping here lately with the crazy heat and the air quality and the rising COVID numbers (and, thank goodness, a local return of mask mandates!). As I wind up revisions on Myrtle Hardcastle #4 while prepping for Kansas City’s Planet Comicon (come see me at table 2240!) in a couple weeks, this is a great time for pie.

Yes, pie. Stansberry pie, in fact!

Husband C.J. made Myrtle’s favorite pie for a friend who dropped by for an impromptu book signing last week!

Cook’s Christian name was Harriet Stansberry, although I’d never heard her called anything but Cook. I was six years old before I even realized she had another name. One of Father’s favorite dishes was something we called Stansberry Pie, and I once suffered a week of botanical confusion trying to classify the elusive stansberry, which did not appear in any field guide, taxonomy, or recipe book that I could find.

…It turned out to be a tart containing apple, strawberry, and rhubarb. It was rather good, particularly warm out of the oven, with cream.

                                                    Premeditated Myrtle

As Myrtle discovers, Stansberry is not a fruit (unlike marionberry), but an old English surname with origins from the Yorkshire place name Stainsborough. (You might have run across the more common spelling of Stansbury—which, sadly, has no pie.) Stansberry also happens to be my mother-in-law’s maiden name (Hi, Judy!)… and for this Myrtle Mondays post, I’m sharing a variation on a family pie recipe, adapted, refined, and reverse-engineered from its fictional counterpart by my husband, C.J.

The magnificent Stansberry Pie, from page to table

Myrtle notes that the Stansberry Pie of Premeditated Myrtle is in fact a tart—which generally means it only has a bottom crust. But what is the point of that? In my considered opinion, fruit pie is a thinly-veiled excuse for indulging in pie crust, so double up on that pastry!

…But first, let’s talk about pie. In particular, Victorian pies. Or, to be precise, where the Victorians got their pie recipes. The undisputed 19th century authority on all things cookery was Mrs. Beeton’s Book of Household Management by Isabella Beeton, who was married to the publisher of The Englishwoman’s Domestic Magazine. Released in 1861, it became enormously popular, with new editions revised and updated well into the 20th century. It remains in print today! At 25, Beeton herself was an inexperienced household manager and drew largely from other sources including the magazine, but that did not stop her from serving up her reassuring guidance to the rapidly-growing population of her fellow middle-class housewives. Her most lasting contribution to cookery might be standardizing the modern recipe format of listing the ingredients first, followed by the instructions, even if some of her chapter titles seem odd to a 21st century reader (“General Observations on Quadrupeds”).

In nearly 1200 pages, Beeton’s covers everything a modern 19th century housewife needed to know, from how to manage servants, make antidotes for common poisons, to… well, let’s just let the subtitle tell you:

Everything you need to know

Mrs. Beeton offers nearly three dozen recipes for pie, both savory (like eel pie and, um, parrot pie) and sweet, such as the recipe for apple tart below. You’ll see from her illustrations that Beeton did not necessarily agree with the accepted bottom-crust-only definition of a tart, and for that we must commend her. (Also, don’t apricot fritters sound delicious?)

Illustrations of Puddings & Pastries from Mrs. Beeton’s Book of Household Management. The “fruit pudding” looks a bit vague…

Enough history! Let’s get cooking.

The original recipe, forever enshrined on my refrigerator

Stansberry Pie

Developed & Transcribed by C.J. Bunce

a tart containing apple, strawberry, and rhubarb

This recipe is for a full pie (double crust) but it can be adapted to single tarts if desired.  Kids (with parents’ help) and kids of all ages, give it a try and let us know what you think!

Ingredients

1 or 2 pie crusts (suggest traditional oil recipe below)

1 ¼ cup sugar

5 TBS flour

¼ tsp salt

Dash of orange rind*

½ tsp cinnamon**

¼ tsp nutmeg***

1 cup chopped rhubarb

1 cup sliced mixed apples (like Granny Smith or Jonathan mixed with Red Delicious)

2 cups sliced strawberries

1 capful of lemon juice

1 TBS butter/oleomargarine

One discontented and uncooperative hob (oven)

  1. Mix dry ingredients, sugar, flour, cinnamon, nutmeg, and salt.
  2. Mix in fruit, rhubarb, apples, and strawberries.
  3. Pour mix into bottom crust. Use second crust to make lattice top.  Dot on crisscrosses with butter cut into 1/3-inch cubes.
  4. Bake at 375 degrees for 40 minutes with aluminum foil loose cover.
  5. Remove foil and decrease to 350 degrees for 30 minutes.

* (more or less)

** (use a lot more)

*** (not more than that)

Look at all that fruit!

Traditional Oil Crust

2 ½  cups flour

1 tsp salt

2/3 cup olive oil

6 TBS ice cold water

Add oil to dry flour and salt, stir with fork, make two balls of dough, refrigerate for 15 minutes.  Roll or press out on oil-sprayed pie dish.  Bake 15 minutes at 350 degrees.

***

Top your finished pie with cream, whipped cream, ice cream, or what-have-you (or nothing), and enjoy while reading a great book!

Mrs. Beeton’s Apple Tart

(with original spelling, punctuation, and formatting!)

APPLE TART OR PIE

  1. Ingredients.—-Puff-paste No. 1205 or 120G, apples; to every 1 1b. of unpared apples allow 2 oz. of moist sugar, 1 teaspoonful of finely-minced lemon-peel, 1 tablespoonful of lemon-juice.

Mode,—Make 1 lb. of puff-paste by either of the above-named recipes, place a border of it round the edge of a pie-dish,’and fill it with apples pared, cored, and cut into slices; sweeten with moist sugar, add the lemon-peel and juice, and 2 or 3 tablespoonfuls of water ; cover with crust, cut it evenly round close to the edge of the pie-dish, and bake in a hot oven from 1/2 to ¾ hour, or rather longer, should the pie be very large.

When it is three-parts done, take it out of the oven, put the white of an egg on a plate, and, with the blade of a knife, whisk it to a froth ; brush the pie over with this, then sprinkle upon it some sifted sugar, and then a few drops of water. Put the pie back into the oven, and finish baking, and be particularly careful that it does not catch or burn, which it is very liable to do after the crust is iced. If made with a plain crust, the icing may be omitted.

Time.—1/2 hour before the crust is iced; 10 to 15 minutes afterwards.

Average cost 9d (ninepence)

Sufficient.—Allow 2 lbs. of apples for a tart for 6 persons.

Seasonable from August to March ; but the apples become flavourless after February.

Note.—Many things are suggested for the flavouring of apple pie ; some say 2 or 3 tablespoonfuls of beer, others the same quantity of sherry, which very much improve the taste ; whilst the old-fashioned addition of a few cloves is, by many persons, preferred to anything else, as also a few slices of quince.

(Mrs. Beeton kindly provided the following additional information on quinces and their potential hazards.)

Let me know if you try either of these recipes!

Enjoy!

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#MyrtleMondays: Forensic History & Bertillonage

If you (like your Learned Author) are an ardent fan of “Forensic Files,” there’s one technique you’ve likely never heard Peter Thomas discuss. Yet in the late 19th and early 20th centuries, bertillonage was at the cutting edge of criminal science. Let’s take a look at the fascinating rise and fall of this groundbreaking method of criminal identification.

Pioneering criminologist Alphonse Bertillon poses for one of his own innovations: the mug shot (1913)

As criminal justice grew more systematic and scientific in the late 19th century, one question captivated those at the forefront of hunting criminals: how to identify the culprits? One of the first and most effective attempts to create a catalogue of offenders was the brainchild of a French policeman, Alphonse Bertillon. Called “bertillonage” in its day, Bertillon’s techniques have evolved into today’s science of biometrics.

Tom Cruise faces off against a retinal scanner (Mission Impossible 4)

In the 1880s, Bertillon was a records clerk at the Paris Prefecture of Police, with a keen interest in anthropometry: the study of human measurements and physical variation. The son of a renowned French anthropologist and statistician, Bertillon swiftly realized that the Paris Police records were outdated and inefficient, and set out to correct that, creating a modern method of police recordkeeping and revolutionizing forensic science.

1896 chart showing the critical measurements and how to take them

Bertillon’s system involved the collection of specific physical measurements, carefully drawn and recorded, as well as precise photographs of the subject.

Bertillon record of a prisoner in Ohio (University of Pittsburgh)

What truly made Bertillon’s system unique—and useful—wasn’t the measurements, however. It was the cataloguing, the data processing, storage, and retrieval. Bertillon simplified and categorized the measurements into easily-cross-referenced records that could be swiftly sorted and culled when wanting to identify a prisoner. Prior efforts to keep prisoner records had been haphazard and unsearchable, making research too time-consuming to be practical. Bertillon’s system was the AFIS or CODIS of its day.

Thanks to the ease and efficiency of the techniques, Bertillon’s system was soon adopted by law enforcement agencies and prisons worldwide, and for several decades was a standard tool in criminal detection.

Bertillon: A killer always leaves traces when he departs

Although advanced for its time, bertillonage had several drawbacks. Unskilled or biased practitioners, as well as worn or damaged equipment, could lead to errors—most notably in the remarkable case of American inmates Will West and William West, African Americans interred at Leavenworth Prison with similar names and supposedly identical anthropometric measurements. The West case called attention to the propensity for racial bias to creep into the measurements, however objective they were intended to be.

Leavenworth inmates Will West and William West, showing their eerily similar mugshots contrasted with their readily distinguishable fingerprints

What finally led to the downfall of Bertillon’s system, though, was that it could only be used to identify suspects already in custody. It was no help at all in determining who might have committed a crime. Unlike fingerprints or DNA, criminals don’t leave their bertillon measurements behind at a crime scene. Useful only for identifying repeat offenders, bertillonage was gradually phased out in favor of fingerprinting.

A modern anthropometry diagram showing anatomical “landmarks” for measurement (Research Gate)

Yet Bertillon’s legacy lives on. His pioneering advances in crime scene photography, mug shots, ballistics, fingerprint analysis, and forensic mold-making (for tire impressions and footprints) formed the foundation of methods still in use today. And the science of anthropometry is still useful, if not for identifying criminals, then for helping to identify victims. Forensic anthropologists and artists use anthropometric measurements to determine sex, age, ethnicity, height, and even appearance of human remains.  Read more about how forensic sculpture brings the faces of the dead to life in this Smithsonian article. 

Forensic reconstruction of “Jane,” an adolescent girl from colonial Jamestown who perished during the “Starving Winter” of 1609-10. Read more: Discovering Jane

Interested in trying your hand at bertillonage? Here’s a handy downloadable chart for you and your classmates to take your own measurements.

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#MyrtleMondays: The Victorian Olympic Spirit

If you’re glued to the Olympics this week, you know all about the international sporting festival’s origins in ancient Greece. But what you might not recall is that our modern Olympic Games are a product of the Victorian era. What better time for a recap?

Program for the 1896 Olympics in Athens, considered the official re-start of the modern Olympics

Thanks to widespread interest in Classical history, the idea of Olympic-style sporting events enjoyed periodic revivals in 19th century England. The village of Much Wenlock, Shropshire, put on an annual local festival of sports and merriment, beginning in 1850, which still runs today: The Wenlock Olympian Games (they’ve been on hold the past two years due to the pandemic, but may resume this September!).

Historic Wenlock Olympians (source: The Wenlock Olympian Society)

The Cotswolds have an even older Olympics, begun in the 17th century, and featuring events that have not made it to modern rosters (like hunting) and nowadays seem somewhat… unsportsmanlike (shin-kicking).

The Cotswold Olimpicks, 1636, showing games founder Robert Dover on horseback

The Cotswold Olimpick Games lasted well into the 19th century, were revived in the 1960s, and are still going strong today—and, yes, still feature shin-kicking.

Spiridon Louis (Greece) wins the 1896 Olympic marathon at the Panathenaic Stadium

The modern Olympic Games, organized under the aegis (a lovely Greek/Latin word describing a badge or emblem) of the International Olympic Committee, were founded in 1896. Held in Athens to speak directly to the classical tradition, these new Olympics were a true international endeavor, with inspiration and input from Greece, England, and France. William Brookes, Wentworth Olympian Games founder, took his idea to the national English stage in 1866, creating the first National Olympic Games, held at London’s Crystal Palace.

Built for the Great Exposition of 1851, London’s Crystal Palace was the architectural marvel of the age—certainly an Olympics-suitable venue!

In Greece, the philanthropic Zappas family organized sports festivals under the name Olympics throughout the 1850-70s. Athens’s ancient Panathenaic Stadium, pictured earlier, had been excavated by archaeologists and, thanks to funding from the Zappas family and other benefactors, rebuilt in 1870 to host these events.

Inspired by these new versions of the Olympics, pioneering French physical educator and (maybe more significantly) wealthy aristocrat Pierre Coubertin took up the torch. Establishing the International Olympic Committee, Coubertin made his proposal for the new Olympics to the representatives of sporting organizations from eleven European nations, and the date was set.

Athletes from Princeton show off their Classical flair at the ’96 games

These first modern international Olympians were all male–but that wouldn’t last long. The next games, held in Paris in 1900, had female athletes competing in several events, including tennis, equestrian events, and golf.

A fitting symbol for the first Olympic games where women competed

Read more about women’s athletics in this post: Sports for Victorian Girls

Charlotte Cooper won gold for Britain in two events in 1900

So as you find yourself biting your nails over the death-defying feats of the skateboarders or cheering on the relay swimmers, give a thought to the generations of pioneering athletes of yesteryear—and their enthusiastic fans—who brought the Olympics into the modern era.

One Response to “#MyrtleMondays: The Victorian Olympic Spirit”


  1. Judith Ann
    This is so interesting information to read and see their pictures of long ago,
    I have been watching the Olympics on television.

    Reply

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#MyrtleMondays: Christmas in July!

Christmas is coming, the goose is getting fat!
Put a pretty penny in the old man’s hat.
If you haven’t got a penny, then a ha’penny will do.
If you haven’t got a ha’penny, then God bless you!

There may be 159 days until Christmas, but we only have 78 days before the release of Cold-Blooded Myrtle (October 5)!  Therefore, in preparation, it is my solemn duty to do my utmost to get you into the Christmas spirit.

In Cold-Blooded Myrtle, an Exceptionally Victorian Christmas is interrupted by a series of unusual crimes in Myrtle’s village… and the erudite H.M. Hardcastle returns with a deep dive into the origins of the modern holiday:

At the turn of the 19th century, the celebration of Christmas as a festive holiday had been on the decline for several centuries. Many of the elements we consider traditional must-haves in our yuletide celebrations were born, reborn, or evolved in the Victorian Era in England and America—with a little nudge from Germany.

Christmas Tree at Windsor Castle from Illustrated London News, 1848

“Christmas Tree at Windsor Castle” from Illustrated London News, December 1848

This image of Queen Victoria, her German-born husband Prince Albert, and their children celebrating Christmas in 1848 was the first glimpse many people had of a Christmas tree. Originally published in Illustrated London News then widely reprinted, it immediately popularized the Christmas tree and made this German novelty seem quintessentially British. Victoria and Albert were married in 1840, and by Christmas 1841, Albert had installed the Christmas tree as a family tradition.  That year, Victoria wrote in her diary of her children’s “happy wonder at the German Christmas tree and its radiant candles.” It did not take long to catch on in Prince Albert’s adopted homeland.

Illustrated London News, still going strong with Christmas in 1876. By this point, the Christmas tree was well established. See how the Royal Family has become the ordinary middle-class British family (complete with servant watching adoringly from the sidelines)?

We see the same scene again, another thirty years later, with this London family in 1908

Of course, traditions don’t spring up out of nowhere; they evolve from other customs. Victorian folklorists were fascinated with tracing the history of Christmas observances back to their ancient origins. As early as 1836, Scots-born poet and literary critic Thomas Kibble Hervey offered readers The Book of Christmas.  Hervey was looking back with a nostalgic view of Old England, before Christmas’s Victorian renaissance, and speaks of the “Extinction of the Ancient Festival; [its] Partial Revival; [and] Summary of the Causes of its Final Decline.”

But sixty-five years later, William F. Dawson was able to capitalize on decades of renewed enthusiasm for this most Victorian of holidays in 1902’s Christmas: Its Origins and Associations and its prodigious subtitle:

I wish my Christmases had more Brave Deeds and Chivalric Feats

Dawson was fascinated both with early Christianity’s observance of the Nativity, as well as pagan festivals believed to have been co-opted into traditional Christmas celebrations.

Naturally, by mid-century, Mrs. Beeton, our middle-class maven, was full of advice for the holiday, too:

What’s more Victorian Christmas than plum pudding? Mrs. Beeton’s Book of Household Management included several recipes, like this kid-friendly version with no alcohol.

She was especially enthusiastic about the turkey (native to North America) as the centerpiece for Christmas dinner:

Of course, the figure perhaps most associated with Victorian Christmas is Charles Dickens. A Christmas Carol was published in 1843, right when Victorians were just beginning to embrace the yuletide spirit with new zeal. Throughout the 19th century, as daily life became more industrialized, globalized, commercialized, and modernized, people began to romanticize what they saw as old-fashioned traditions (even if they were brand-new). The Victorian era was fertile soil for a holiday reimagined around hearth and home and ancient customs.

John Leech’s illustration for the frontispiece of the first edition of A Christmas Carol, already showing all the Victorian merriment we’d expect

Dickens, already a master of sentimental prose, recognized this yearning. And he was prescient, too. We still think of A Christmas Carol as that most Christmassy of Christmas traditions, 178 years later.

Harold Copping’s 1922 painting of Bob Cratchitt and Tiny Tim graced the cover of the copy of A Christmas Carol I bought in fifth grade (which was not in 1922)

Are you ready for Christmas yet? Here are some more period images to get you in the mood:

Pear’s Soap company produced an annual Christmas magazine full of stories–including reprints of Dickens’s Christmas tales—and display-worthy illustrations. This edition featuring Father Christmas (or Father Time) and Baby New Year is from 1893

Confectioner Tom Smith was the inventor of the Christmas cracker, and the company’s lavish annual Christmas catalogue was a precursor to the Sears Wishbook of 20th century American fame | early 20th C.

Late 19th century Swedish New Year’s postcards sent to my great-great grandparents, showing the influence of traditional Norse folklore (that appears to be a Valkyrie sending good wishes)

There! Now don’t you wish it was snowing? So set up your miniature Dickens village, sing some carols, whip up a Christmas pudding, and have a happy Christmas in July!

Danger lurks in even the most festive setting…

And don’t forget about Christmas in October—pre-order your copy of Cold-Blooded Myrtle today!

2 Responses to “#MyrtleMondays: Christmas in July!”


  1. A. Scanlon
    What felicity! Yuletide jocularity in July to help while away the time before Myrtle, Peony, and Miss Judson welcome us to join them for another adventure. Thank you!!

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#MyrtleMondays: The Girl Detective Part 2

Earlier this year, I introduced you to one of mystery fiction’s first young female sleuths. Today I have another treat for you!

For Part I of my series on girl detectives, featuring “New York Nell,” click here. 

If you read this blog, chances are you’re a fan of the girl detective. Whether you’re getting caught up with Myrtle Hardcastle or grew up with Nancy Drew, you are enjoying a breed of sleuth that has been entertaining readers and outwitting criminals since the earliest days of detective fiction.

Today’s story comes from turn-of-the-twentieth century America, and adds to its author’s pantheon of heroic young women. She’s  less well known than that more famous Kansas girl, Dorothy, but this heroine lives up to her name in every way.

L. Frank Baum’s Phoebe Daring, 1912, was part of publisher Reilley & Britton’s catalogue of “exhilarating stories for girls of today.” When young Phoebe’s friend is falsely accused of a shocking crime, she sets out to prove his innocence. Her investigation unravels a web of conspiracy binding together her small town and divides the community—those invested in maintaining the status quo, and those galvanized by her quest for the truth.

Project Gutenberg has a nicely formatted e-book edition, including the gorgeous original illustrations by Joseph Pierre Nuyttens; and LibriVox has all twenty-six chapters in an audio edition.

Phoebe made another appearance, alongside brother Phil, in 1911.

Phoebe Daring is not just a cracking good mystery full of lively characters, a colorful setting, dastardly villains, and noble heroes. It’s also an inspiring tale about truth, fairness, and the role everyone can play in the pursuit of justice—from the most powerful men in the land to the youngest members of a community. Enjoy!

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#MyrtleMondays: New Panel & Interview

Last week, I emerged from the perils of 1894 England into the wilds of radio and Zoom, and I have two new recordings to share with you!First, voting begins this week for the Agatha Awards, and I had the great fun of joining my fellow nominees for a lively chat about kids’ mysteries.

Janae Marks, Richie Narvaez, Fleur Bradley, and I were interviewed by the Very Mysterious Indeed Kelly Oliver

You can view the panel by clicking here! (scroll down; we’re near the bottom.)

Next up, I had the wonderful opportunity to chat with Kansas Public Radio’s Kaye McIntyre about All Things Myrtle, Kansas Notable Books, the Edgar Award, and more!

Kaye and I had a lot to catch up on!

You can listen to our interview here at KPR Presents.

I’m disappearing into the Revision Cave for a bit (taking a few weeks off from events to work on In Myrtle Peril)  but I’ll be back on Monday for more 19th century hijinks!

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#MyrtleMondays: The News Never Rests

It’s another busy week in the world of the Myrtle Hardcastle Mysteries. On my end, I’ve been working on revisions for Book 4, In Myrtle Peril—but watching me revise does not make for particularly gripping viewing. However, I do have a couple fun things for you to check out this week!

This fabulous photograph (likely from a stereograph) recalls a fun new cast member making her debut this fall in Cold-Blooded Myrtle.

First up, I had the chance to chat with Kansas City’s NPR’s “Up to Date” last week about the Myrtle Hardcastle Mysteries. It was a terrific interview–go have a listen!


Next up, Malice Domestic, home of the Agatha Awards, is coming up next month! More Than Malice, 2021’s virtual event, includes a panel with the nominees for Best Children’s/YA Mystery. We’re filming this week, and the panel airs this coming Sunday, July 4 at 3:00 eastern. If you are a member of Malice Domestic, this is your chance to get in your vote (coughPremeditated Myrtlecough)!

Watch the panel at 3:00 Eastern July 4! Click here.

Check out that incredible lineup! I can’t wait to hang out with my fellow nominees and chat about kids’ mysteries. No registration is necessary to watch.

Also this week, the Myrtle Hardcastle Detective Society has a super-top-secret meeting with Myrtle’s favorite independent booksellers, where we’ll be dissecting all things Cold-Blooded Myrtle, coming October 5. Stay tuned for highlights from our conversation.


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#MyrtleMondays: Cold-Blooded Myrtle Video Hijinks

Dear Reader, call it Solstice Silliness, call it Mercury in Retrograde, call it Cabin Fever… whatever you call it, the Bunce household has descended into full-on wackiness this week. We’re braiding each other’s hair, eating crisps for dinner and birthday cake for breakfast, and asking strangers to sing to us! And in that vein, I have a special treat for you today…

With the forthcoming release of Cold-Blooded Myrtle (October 5) on the horizon—just over four months away—excitement is building! Who is the most excited about the new book? I wouldn’t like to speculate, but I do have a nominee for Most Fan Enthusiasm. Check it out!

Quincy begs to differ.

(Please note our chic matching shirts. Thank you.)

Take it from Judy, folks! Pick up your copies of Myrtle Hardcastle Mysteries Books 1 and 2, Premeditated Myrtle and How to Get Away with Myrtle today. Pre-order Cold-Blooded Myrtle and be the first on your block to get in on all the spooky, mysterious fun!

My late June and early July are shaping up to be chock full of events, so stay tuned for more audio and video shenanigans to come.

Guess who’s ready for Christmas in July?

Oh, and by the way, she skunked me at Clue.

It was Mrs. White (aka Dr. Orchid) in the billiard room with the rope.

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#MyrtleMondays: German Cover Reveal

Are you ready for more Premeditated Myrtle excitement? We’re just a few weeks out from the German debut of the Myrtle Hardcastle Mysteries, and I can finally share…

…our fabulous German cover!

Don’t you love it?! It has a delightful balance of spookiness and intrigue, and I can’t get over her bootlaces.

If you read German, you’ll note that Myrtle Hardcastle #1 has an all-new title (apparently the English pun didn’t translate! LOL)—and the eagle eyed among you will surely spot the clues hidden in those wonderful details. I am thrilled to pieces by my very first foreign cover, and I’m so impressed by the brilliant designers on both continents.

You can preorder Mord im Gewächshaus: Ein Myrtle-Hardcastle-Krimi from Knesebeck here! Coming to German booksellers everywhere September 22.  Juhu!

Click here for more German fun, too. 

In other news, this week I had my very first post-pandemic-lockdown in-person book signing! I stopped by my neighborhood Barnes & Noble, and signed their stock of How to Get Away with Myrtle. These are the first real copies I’ve signed—not just bookplates. Huzzah! We are putting together my fall and summer schedule, including events both in person and virtual, and I hope to stop by a bookstore near you soon, too! Contact me if you’re interested in scheduling an event.

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