This has been making the rounds on social media this week:
It’s funny, and yet… it’s not so funny. Many Makers’ homes look a lot like that already, and it’s a reflection of one particular way we cope with stress and crisis. We make stuff. Our current bewildering global health catastrophe is no different: makers everywhere are stepping up, hunkering down, sewing, building, crafting, singing to their neighbors, DIYing necessary medical equipment. When everyone is stuck at home (you’re staying home right now, right?! That’s the only way to flatten the curve and ensure our overburdened medical systems don’t collapse)… when we’re all stuck at home, disconnected from much of our support network, facing anxiety, uncertainty, and disappointments, how are we responding? What can we do? What should we do?
We should pay attention to intelligent, science-based news sources. We should take precautions to protect our communities. And, at times, we should step away from the terrifying news, slip into our sewing rooms or music rooms (well, at least some little nook in your house you can go to blare your trumpet without incurring glares from your siblings or roommates!), our workshops, our gardens, our kitchens… and make things. We should make things.
Some yarn that Charlotte might have produced….
You might choose to make practical things: raid your pantry for forgotten ingredients so you can get creative with meal planning in this time of minimizing shopping trips. Or you could choose to use your sewing skills to helpsew protective masks for hospital staff. You might design and create a board game to play with your family while you’re sheltering in place. Or you might decide to cheer your neighbors or grandparents with impromptu musical performances, like we’ve seen from Italy and Spain.
My husband’s homemade sauerkraut and salsa
Or perhaps this time is too raw and scary, and your making needs to be more isolated from the front lines, more private and personal. And that’s OK, too. Scientific studies have proven the physical, mental, and social benefits of creativity and creating. It reduces stress. It allows us to process challenging events. It keeps us mentally sharp as we age. But Makers everywhere can speak to the ineffable benefits of Making, as well. In my Morris Award acceptance speech, I spoke about how Making fights entropy, the breakdown of systems over time, the tendency of things (everything!) to collapse into chaos and disorder. Kind of what it feels like is happening right now, yes?
Right now, making has even more immediate and practical benefits. It can take our minds off the crisis for a while, and it can help pass time we might otherwise spend consumed with worry. It can help distract you, it can keep your kids busy, it can entertain us in novel ways as we’re learning to live apart… together.
Making is an affirmation
Making is taking Positive Forward Action, as my first editor liked to say—putting a steady stream of positive energy into the universe: adding beauty, expressing your love, helping others, taking a step that says, Everything else is falling apart, but here. I made something. And that is a powerful act of rebellion against entropy, a bold statement of belief and hope in the face of crisis. Whether you choose to share your making or keep it personal, it’s worth doing.
If you’re a regular Maker, your home is most likely already filled with plenty of supplies to keep you busy right now. But if it’s not, this probably isn’t the time to be buying more. It’s a great time to Make Do! Figure out what you can make with what you have. As my niece says when rescuing things from the recycling bin, ART PROJECT!You might take this time to learn a new craft–or you might fall back on comfortable hobbies you know well. I’m currently pretty swamped with work, with a new book coming in a few weeks, a new book due right before that, and another deadline this month—so my recreational Making has been scaled down to things I can do without much concentration, when I can grab a few minutes here and there. Anything harder than a little hand stitching just feels too epic right now. But even just that little hand stitching makes me feel more settled. Embroidery is the craft I turn to most often in times of stress and grief, and it’s always been able to soothe and comfort me and bring me back to myself.
A little hand quilting from this week
Making can help. It can help you. It can help your community. It might even help the universe. So pick up your paintbrush, break out your drum set, start a journal about this unprecedented historical event. Make cakes, make gardens, make paper chains. Make plans. Make solutions. Make vaccines and ventilators and more good science. The universe is counting on Makers to save us, in ways big and small.
A version of this list was originally posted on (and is reposted with permission from) borg.
Hallowe’en is right around the corner, and you might be starting to think about wintery festivities, but if you’re anything like me, you are always in the mood for a ghost story! Several years ago the editor of borg asked contributors to list their favorite spooky movies, and my list still holds up. I have a couple newer films to add, including 2015’s gothic “Crimson Peak,” and last year’s ghostly twist on a real historical mystery, “Winchester,” so be sure to check those out, as well. As always, parental guidance and viewer discretion recommended, as appropriate.
To be honest, this was a challenging list for me. On the one hand, there is nothing I love better than a really great ghost story, so you’d think I’d be able to rattle off a list of ‘em just like that. But that’s the thing—the really great ones, the ones that well and truly conjure up that perfectly spooky atmosphere and transport me wholly to the Hallowe’en, ahem, spirit… well, they’re pretty rare, actually. I’m a little bit critical; I acknowledge that. But that’s another reason to love these lists: I’m always on the lookout for the next The Others or Watcher in the Woods.
For me, atmosphere is everything. Strike the right spooky ambiance in a film, and you can overcome any number of shortcomings—including the total lack of an actual ghost in the story. So here’s an assemblage of ten films that get the mood right, at least, making them excellent viewing when the lights are off and the late October wind howls outside. In no particular order…
1. Harry Potter and the Prisoner of Azkaban (2004)
Ok, I hear you. A Harry Potter movie on a Hallowe’en list? Well, bear with me here. Everything franchise-related aside, Azkaban has everything you’d want: the redesigned, gothic Hogwarts; the ghostly manifestations of the dementors haunting the castle and campus; the homicidal maniac on the loose; and oh, yes, the werewolf! The film also drips with backstory and dark secrets, another element paramount to a great spook story. And did I mention the werewolf?
2. The Others (2001)
This one is creepy almost without trying. Nicole Kidman plays the harried and pathologically overprotective mother of two light-sensitive children, occupying a remote English manor house in the days following World War II. Though the scares here are primarily psychological, skin-crawling elements abound (what is up with those creepy kids? And those servants! Egad!), and the story has one of the best twist endings you’re likely to find. So pull the blinds, get away from the windows, and watch for the seriously unsettling appearance of The Ninth Doctor, Christopher Eccleston, as Kidman’s estranged (or something) husband. I can almost guarantee you’ll want to watch this one again, straight through from the beginning, when it’s over.
3. Watcher in the Woods (1980)
For me, this film is the archetype of everything I want in a ghost story (erm, absent the actual ghost, I mean). This 1980 Disney offering, based on a young adult novel by Florence Engel Randall, follows a pair of young American sisters who are renting a haunted English manor house for the summer, and who awaken the property’s chilling secret—and its chilling landlady, Mrs. Ayelsworth (Bette Davis). Many years ago, Ayelsworth’s daughter disappeared from the estate, in a secret ritual her now-grown friends have sworn to keep silent. But the past won’t be buried, and the apparent ghost of Karen Ayelsworth tries desperately to communicate with our heroines. The setting here is pitch perfect, from the foreboding house to a murky lake, to the chapel ruins with ravens stirring through the dead leaves. I loved this movie as a child, and it’s lost almost none of its wonder, atmosphere, and suspense. (Extended DVD scenes notwithstanding.)
UPDATE:This film has become hard to track down and is not available in any legitimate digital version. A 2017 Lifetime production starring Anjelica Houston still plays on cable and streaming and is worth a viewing, although it’s not quite as magical as the original.
4. Rebecca (1940)
This 1940 Best Picture Oscar winner is a faithful rendition of the Daphne du Maurier novel by the same name. Du Maurier’s writing, Alfred Hitchcock’s direction, and George Barnes’s Academy Award-winning cinematography are so skillful and subtle that you will swear you’ve seen the ghost of Rebecca de Winter haunting Manderley yourself—though she makes no actual appearance in the film. While the entire cast (particularly stars Joan Fontaine and Laurence Olivier,) turned in top-notch performances, the disturbing heart of the film is the unforgettable performance by Star Trek alumna Dame Judith Anderson as the first Mrs. de Winter’s devoted lady’s maid, Mrs. Danvers—the archetype for every creepy British servant to come. This is psychological horror at its best; an exploration of how our own memories are the most frightening ghosts to put to rest.
5. Skeleton Key (2005)
I’ll admit that I didn’t enjoy this film as much as I wanted to when it first came out, but the fact that someone in our house bought the DVD (um), and our TV is mysteriously tuned to this movie every time it airs, must count for something! Set in rural Louisiana, Skeleton Key drips with Southern Gothic creep-factor: Spanish moss, an old plantation dank with rot, an aging Southern belle, evocative local folk magic, and the unmistakable tinge of old racism. Add a smart heroine in over her head in something she doesn’t understand, plus a satisfying twist ending, and you’ve got a solid haunter with staying power. Strong performances by the whole cast, and layers of meaning that become creepier on repeat viewing, cement Skeleton Key’s place on this list.
6. The Sixth Sense (1999)
This measured, thoughtful story of a boy with a problem, and the child psychologist who goes to unparalleled lengths to help him, is a mastery of mood, pacing, and misdirection. You can watch it as a straightforward drama, and it’s a perfectly solid film. The characters are skillfully drawn and acted with sincerity and subtlety, and you feel for the plight every single one of them is going through: the haunted boy, the caring therapist who can’t understand that his marriage is over, the lonely wife, and the desperate mother struggling to understand her troubled son. But it’s in the moments we peek inside the child’s terrifying world that the horror of this story comes home, and whether or not you see dead people (or saw the ending from a mile away), you know you were a little skittish walking into your kitchen alone.
7. The Ring (2002)
It’s not immediately obvious why this adaptation of the classic Japanese thriller is so frightening—is it the disturbing iconography in the underground video? The ghoulish backstory? The jarring cinematography and special effects?—but it all adds up to seriously unsettling viewing. Bolstered by a strong mystery, a determined and believable lead, and the chilling ordinariness of her investigation, the contrasting horror seems all the more convincing, no matter how far-fetched a haunted videotape may sound. Trust me: you’ll be glad you ditched your VCR.
8. The Turn of the Screw (1999)
Henry James’s dark, “are they or aren’t they?” tale of two haunted siblings and the devoted governess desperate to protect them has been baffling audiences for 125 years, but that hasn’t stopped people from making movies out of it. 1961’s The Innocents, penned by no less a scribe than Truman Capote, is considered a modern classic, but this 1999 BBC version starring the brilliantly-cast Jodhi May in all her sloe-eyed anxiety captures all the frightening bewilderment of the original. It’s never entirely clear what’s bothering the children in her care. It could be ghosts, it could be abusive adults, or it could be the overactive imagination of the governess herself—but it’s from that uncertainty that the horror emerges. With no true resolution to the tale—no laying to rest of the ghosts, no cozy denouement now that the danger has passed—The Turn of the Screw is ultimately unsatisfying, leaving you vaguely uncomfortable yet somehow wishing for more.
9. The Fog (2005)
At first glance, there really wasn’t an obvious reason to remake John Carpenter’s classic tale of a seaside town getting a belated and ghostly comeuppance. But unlike many other remakes, The Fog loses nothing in translation—and even manages to surpass the original. One of the most vital elements of a ghost story is arguably its backstory—the chilling past that rises to menace the present—and this 2005 adaptation gets it absolutely right. The story of a town’s ill-gotten fortune at the cost of a doomed ship of people suffering from leprosy comes alive (or undead, at least) in rich period details, elaborate sets and costumes, and a powerful enriched storyline, all of which combine to create a pretty much perfect ghost story.
10. Dead Again (1991) This 1991 Kenneth Branagh/Emma Thompson film deftly blends film noir, gothic romance, and the paranormal in a gripping, genre-bending mystery thick with atmosphere and suspense. In two parallel storylines, Dead Again explores a post-Word War II Los Angeles murder mystery that continues to haunt two people into the modern age. Playing dual roles, both Branagh and Thompson excel, first as doomed lovers Roman and Margaret Strauss, and as their modern counterparts, trying to unravel the secret of how that epic romance ended in a gruesome murder. With its edgy, atmospheric soundtrack racing to a shocking twist ending, Dead Again is another film that will have you hitting the “replay” button on your remote as soon as the end titles roll.
Happy Hallowe’en, everyone! Please share your own favorites in the comments! I’m always looking for more.
All the links (pre-order, etc) should now be active, huzzah! (Sending giant thanks to my in-spouse social media manager, CJ, for his help! He has further words on the subject today at borg, so check that out, as well.)
MG Book Village has the pertinent information, but I’ll add some further details here.
Book Cover Afficianados will no doubt recognize the art of Brett Helquist, probably best known for his work on the Lemony Snicket Series of Unfortunate Events books. Brett was my editor’s first choice for the Myrtle Hardcastle covers–and you can see why!
The process of Making this cover was delightful and fascinating, particularly since I had all the fun and none of the work.
I have consultation rights for these covers–honestly, I thought that meant they’d show me the covers and ask if I was OK with them. But in fact, I was invited to offer input from the very beginning. Back in January, I spent a lovely afternoon on the phone with my editor, Elise Howard, Googling book covers we loved together, talking about her vision for the books, and sharing my hopes for the cover.
Soon after that, Elise asked for detailed descriptions of characters and settings from the book. Although Brett had read the manuscript, this provided some extra details that might not have made it into the text itself. I took the opportunity to stress the singular importance of the book’s muse, our late cat Sophie, the real-life inspiration for Myrtle’s feline sidekick Peony (and her portrait made it into the book, too!).
I also sent this period photograph I stumbled into during a research foray. This unknown Young Lady of Quality is from Pennsylvania, and I don’t know anything more about her than that—except when I saw her face, I saw Myrtle looking back at me:
I first saw an initial sketch for the cover, with the request to suggest modifications for more period hairstyles and clothing. I fell in love with Myrtle’s perfect expression and her sense of Positive Forward Action immediately, and went to Brett Helquist’s website and Instagram for the suggested changes:
All Brett’s own work + my presumption
That focused face comes from his work on Martina & Chrissieby Phil Bildner, and the bodice collar and neckline from one of his many Victorian illustrations. I felt that this would get the idea across much better than me trying to explain anything–or, heaven forbid, drawing it. (And if you haven’t yet been to Brett’s website or IG, go there now! It’s full of all kinds of delightful eye candy. This is my favorite! Or maybe this one. Or…)
What impresses me most about this truly gorgeous artwork is the incredible attention to detail–all of which calls back to something from the story. I want to point out every amazing feature right now… but I’ll restrain myself. You’ll have to wait and read the book to discover just how perfect everything really is.
…always a peek of cat
Myrtle Hardcastle and Peony are coming to bookstores and libraries near you in May 2020.